Selected work ↓
adidas Run For The Oceans (2019) is a global adidas-led initiative, where for every 1km run between June 8th (World Oceans Day) and June 16th adidas donated $1 towards Parley Ocean School – an extracurricular program that aims to educate the next generation of ocean activists.
For RFTO ‘19, we created a crafted visual language for the biggest asset publishing campaign in adidas history. A socially charged and PR-driven activation that aimed to not only start the conversation in culture but also add as much urgency to this global plastic problem as possible.
To represent the collective voice and urgency, we applied typographic repetition combined with a photography approach that captured new running in a real, raw and authentic way. In addition, we used ocean-inspired and wrapped plastic textures to unify all the visual language elements.
Using the voice and global influence of adidas ambassadors such as David Beckham, Karlie Kloss and Mo Salah we drove mass participation on an unprecedented scale. Over a 9 day period, 2.2 million people ran over 12.6 million kilometres, a 240% increase from 2018. Our content received 24 million video views and sparked over 300 activations across 62 countries - creating a truly united voice against marine plastic pollution.
Strategy: Brand Articulations
Agency: Studio Lore
Photographer: Ben Clement
Filmmaker: Nathan Ceddia
Illustrator: Eze Mateo
FILM
Strategy: Brand Articulations
Agency: Studio Lore
Production company: Bullion Productions
Director: James Willis
Role: Art direction and design
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Studio Lore (2019) is an Amsterdam creative studio of artists and writers from classical and non-traditional narrative backgrounds.
Ever since humans discovered fire, we’ve gathered around flames to tell stories. Flame and fable stir something powerful deep within all of us. Harnessing this power, Studio Lore, ignites modern day campfires, stoking conversation with stories that transcend race, culture, and creed. The new company needed a visual identity to express this idea.
Basically, lore, is ancient word of mouth, so we took as main inspiration the sound of spoken word. To represent orality graphically, we decided to take the phonetic language, a universal system that opens language up to everyone, as our visual and written tool. We used the International Phonetic Alphabet (IPA) to form the foundation of this dynamic typographic visual identity that mixes regular characters with phonetic ones. We collaborated with typographer, Lucas Sharp developing a bespoke 53 characters phonetic alphabet that were applied across the brand identity.
Agency: Studio Lore
Photographers: Bart Oomes / Jonathan Krijgsman / Douglas Guillot / Matthew Thorne
Typography: Sharp Type / Dinamo
Coder: Arturo Castillo Delgado
Role: Art direction & design
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adidas UB19 (2019) is the new adidas’ premier high performance running shoe. We looked beyond the category norms of crisp graphics and sharp photography to create a global campaign branding that would convey the UB19’s performance credentials in a unique and novel way. We turned to the adidas design team’s creative process and workshop for inspiration. And we found plenty.
The idea was to decode the design process and show the tireless thinking and creative experimentation that went into the product creation. Taking our inspiration from the materials, textures, and readymade methods of the design team, we created a visual language layered with imperfections, distortions and charm, that was applied across print, digital, film and experiential settings to present this high performance running shoe, appealing to real runners in an authentic and human way.
POSTERS & GIF
Strategy: Brand Articulations
Agency: Studio Lore
Photographer: Bart Oomes
Production company: Witman Kleipool
FILMS CO-CREATION AND LIMITED DROPS
Strategy: Brand Articulations
Agency: Studio Lore
Director: Ryan Staake
Production company: Pomp&Clout & AprilMay
FILM TRAILER
Strategy: Brand Articulations
Agency: Studio Lore
Director: Daniel Kaufman
Production company: Somesuch + Anonymus
INSTALLATION
Agency: Aimko Paris
Role: Art direction and design
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Arturo Castillo Delgado (2019) is an experienced web developer based in the countryside between Barcelona and the Pyrenees. His work combines a love for good design and a deep understanding of front-end languages and technologies. His main objective is to make the web a better place; faster, beautiful and accessible.
We designed an austere, not pretentious and typographic ID and website that conveys the sensible, refined and conceptual work that Arturo make in every project he tackles.
Coder: Arturo Castillo Delgado
http://arturu.com
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Periferia (2018) is a new music and art experience festival that takes place on one small island in Tigre Delta (outside City of Buenos Aires). We developed the brand concept, visual identity and visual content for this indie event that showcases the hottest Argentinean artists from today.
“Periferia” (english: outskirts) is a variable concept that depends on each person. We decided to tackle this concept not only from the geographic point of view but also from the experiential perspective. Accordingly, the outskirts can be another town, country, continent or for an astronaut, space; and at the same time it can be new personal experiences that demand to expand the mental and emotional limits.
For this reason, we decided to play with the morphologic of the island, transforming it constantly to represent the different individuals' experiences of each one during the festival.
This infinite expression lives together with a full typographic set, a dynamic and liquid grid coming from the waves alterations of the river and a wide color palette inspired directly from the different sky shades (along a summer day) and the island landscapes.
Photographers: Manuela Aguilar & Jens Johnsson.
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Manager Capitalista (2018) is an indie-rock Argentinean band part of the new generation of independent artists who are constantly reinventing the ways to show their music and are fighting hard for a place in the industry. Defined by DIY culture and the punk attitude, they are challenging the music establishment, proving that is possible to be self-managed and take control of art, although the dinosaurs of the music industry hate it.
From that background, we developed a visual ID and album art cover for the band, adopting ironically the visual language and communication style from the old and powerful record label corporations from the ’70s. Also, we presented the album wrapped and labeled, to convey the idea of the fast, massive and superficial music consume of nowadays; an album as another easy and disposable product in the supermarket.
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Supernova & Luca's Demon (2018) are the new beers cooked by Kerze - The Brewing Family. Again, we had the opportunity to be involved in the conceptual thinking and design execution of this two labels directly inspired from 2001: A Space Odyssey, NASA, supernatural fiction books, Gestalt and Rorschach tests. Two new and bold members for the big Kerze family.
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©Drug-dealers Ads (2017) is a reactive idea to the intense and constant insistence of drug-dealers to sell substances to anyone in some Lisbon’s neighbourhoods. Walking on the street and not being disturbed by these guys is a big challenge, avoiding them almost impossible.
We decided to design a series of drug-dealer flyers and spread them all over the city. The main objective was to reduce the unwanted harassment by changing the verbal communication channel to a more visual and graphic one, adopting in each piece the persuasion expressions that these dealers use everyday.
* We are not friends of drug-dealers. We don't work for drug-dealers. We are not drug-dealers. Just sometimes we buy to drug-dealers.
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Obra Architects (2017) is an award-winning architecture studio based at New York and Seoul. The strong philosophy and the thoughtful and conceptual work process of the studio were the main challenges we had to face in order to think, design and develop a digital platform that reflected and expressed the essence of Obra; intellect, honesty, originality and vast career.
After a year of an exhaustive creative process with many discussions and explorations, we built a simple, bold and not-over-designed platform that emphasizes and represents the indifferent attitude of the studio to conventions and establishment.
http://obraarchitects.com
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Ascensores (2017) is a conceptual musical project leaded by Juan Pablo Lisi, a young Argentinian producer. The particular sounds of his music are the result of an experimental mixture between analog components, home-made digital samples and environmental recordings from different urban scenarios, all looping together in the same frequency.
Ascensores 017 -25:57 is a lo-fi record adapted to a live format that combines more than 2 years of studio sessions, live recordings and other miscellany. From here, we translate all this universe of loops and hypnotizing sounds through a simple visual system using repetition as the main resource.
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Oncar® (2017) is a Fiat official dealer based at Córdoba, Argentina, for wich we developed the new branding and visual identity. In this project we worked with the ON concept; the idea was to build a brand that reflected dynamism and invited to be on the move, "turn on" life and start driving to new and unknown experiences.
The brand design has a perfect, fluid and friendly relation with the main car brand but simultaneously, it is solid enough and has a strong personality to live and work individually.
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Monet—Urban (2017) is a bike brand based at Lisbon, that connects city life with wellness and nature. It suggests getting back to cycling and, as a result, living in a new simpler and more chilled way.
In this project, we developed a new, fresh, digital and young branding and visual identity that expresses and represents the main concept of the brand: connection. Bikes connect us with ourselves, with communities or with the world wonders. Also, we designed the website for Monet－Urban, being this the main selling channel and a relevant platform to build the bridge between users and the brand.
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Kerze-The Brewing Family (2017) is a micro-brewery formed by a big brewing family located in San Luis, Argentina. Since 2010 they have kept the same passion for the beer world and a strong obsession for quality itself.
We developed a new branding and visual identity that reflects the traditional craft beer culture and values, but also the playful and "out of the box" personality of the owners.
Besides, we thought of and designed seven different labels inspired directly and conceptually on the own name of each taste of beer they have. The idea was to focus and provide each beer with their own universe and personality, always under the main brand umbrella. In this way, we achieved a conceptual, visually attractive and collectible series of labels for all the craft beer lovers.
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©The Trash Book (2016) is an editorial project that reflects our "not so clean" way to explore cities and try to understand their communities, with all their complexities and different manners of living within their own areas. The book looks to open a dialogue and be an x-ray of the idiosyncrasies of different societies around the world.
We have a wishlist of cities that we would love to visit, walk and pick up some nasty garbage from their streets. As any idea, we need funds to carry out our plan. So, we are looking for crowdfunding's support to try and spread the idea and get enough to fund and produce the rest of the books we have in mind.
New York is the project´s first victim. While living there, we collected newyorkers garbage from different neighborhoods in Manhattan, Brooklyn, Queens and The Bronx. The book was made and bound exclusively with waste material found on the streets. ©The Trash Book of New York is a tour through different cultures, American consumerism and capitalism all living together in the most cosmopolitan city of the world.
Photographer: Fernanda Scarafia
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©Bocas Sucias (2016)
Thousand Posters / Thousand Interpretations
"Expressions are loaded with the meaning from the context in which they are immersed. Who say them and who receive them are the ones responsible for their intention and interpretation".
From that, we made a series of posters with expressions taken from the street as experimentation support and there were released to different people belonging to different sectors in society.
Photographer: Nicolas Gloazzo
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Baldio (2013)
(ES) Baldío. n. Urban land without building, plot.
This definition was the trigger to think and develop the concept, naming, branding and visual identity of this young architecture studio based at Córdoba, Argentina. We reinterpreted the meaning of the word as a blank canvas full of opportunities and challenges, the first step in a new creative process and the possibility to think and build something unique and inhabitable.
The main request was moving away from the traditional way of communication architecture studios used. So, we built a clean, modern and simple visual system that was translated into different kinds of applications using hatch patterns and grids as main design resources.
Project developed in co-creation with Fernanda Scarafía and Maia Bunge
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Corazonada SB (2013) is an apparel store based at Güemes, the coolest neighbourhood in the city of Córdoba, Argentina. This project is headed by Sergio Barrionuevo a "politically incorrect" fashion curator with a huge passion for diversity, individuality and freedom of expression.
We developed a simple and versatile all-type logo, along with a neutral typeface that blends with any photographers vision for brand campaigns and it fits perfectly to different types of applications.
Project developed in co-creation with Fernanda Scarafía and Maia Bunge
Photographers: Santiago Chichoni & Ezequiel Exstein
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